Trio of Framed Antique French Etchings
Trio of Framed Antique French Etchings
Trio of Framed Antique French Etchings
Trio of Framed Antique French Etchings
Trio of Framed Antique French Etchings
Trio of Framed Antique French Etchings
Trio of Framed Antique French Etchings
Trio of Framed Antique French Etchings

Trio of Framed Antique French Etchings

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“Décroteur et Ramoneur” (Scraper and Chimney Sweep) is a hand-colored ething by French artist Jean Duplessis-Bertaux, created circa 1798-1806. The artwork depicts two figures: Décroteur et Ramoneur is responsible for scraping mud and dirt from shoes, and a ramoneur, a chimney sweep, both common professions in 18th-century France. The scene offers a glimpse into the daily lives of working-class individuals during that period.

“Jeu du Diable” was a popular pastime in the 18th and 19th centuries, involving the skillful act of hitting balls through hoops with a mallet. This hand-colored etching beautifully preserves a glimpse into the leisure activities of the time. A rare and collectible find, this artwork is perfect for antique enthusiasts, history lovers, or those seeking a refined touch of European elegance in their decor.

“Bataille d’Yvrognes” (Battle of Drunkards), by Jean Duplessis-Bertaux (1747–1819), offers a vivid and dynamic depiction of a chaotic street brawl fueled by drunken revelry. Known for his detailed engravings of historical and everyday scenes, Duplessis-Bertaux masterfully captures movement, expression, and the raw energy of 18th-century French street life.

Jean Duplessis-Bertaux (1747-1819) was a French painter, draughtsman, and engraver known for his detailed etchings and burin engravings. He produced prints of “Scènes de la révolution,” , having participated in the French Revolution himself, as well as the Cris de Paris (Street Cries of Paris) and the Champagnes de Napolean, illustrating Bonaparte’s Italian campaigns after paintings by Carle Vernet. Duplessis-Bertaux also collaborated on some prints with Jean-Louis Delignon, who sometimes completed unfinished work by him.

A note about etchings: An etching is considered an original form of art, since each imprint is unique and not like any other. Also, only about 200 prints can be made from an original etching plate, thus limiting the number of available works.


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